Tal Kravitz performed at one of our city’s annual Autumn music festival events in a neighbourhood park yesterday. According to his bio on his Facebook Page –
Tal Kravitz is a musician and a singer educated at Israel’s finest music institutions. He is also a traveler who journeyed on a personal search for original tribal music in far corners of the world not yet exposed to Western civilization. Tal plays piano, harp, guitar, a variety of bagpipes, the musical saw, African percussion instruments and more.
We really enjoyed the event. Kravitz is really engaging, and involves the audience (who loved him).
Fortunately we arrived early enough to find good seats. I took advantage of that for some photographs.
Kravitz used a range of musical instruments including an Irish harp, a saw (the kind you use to cut wood), bagpipes, and some sort of electromagnetic/sonic device.
I’ve been listening to two artists I hadn’t come across until recently. The first artist who’s new to me is an Israeli artist/band called Narkis. I head their song ״ממה אתה בורח״ (“What are you running from?”) in a Spotify playlist titled ״בדרך״ yesterday, and I’m obsessed:
I went looking for a music video for this song, and this video is the closest I’ve come to seeing this song performed live – what a presence!
Another artist I started listening to, and enjoy, is Claire Guerreso, whose track “Ashes” was featured in a powerful scene on the TV show, Lucifer, that my wife and I have been binging for the last month or so:
This track is wonderful, and a powerful theme for that particular scene in the show. Another terrific track is “Skipping Stones”:
I’ve been running for the last two months (not continuously), and I’ve experimented with some sort of audio accompaniment to help pass the time.
I started off listening to podcasts, and while this helped me get through more of my podcast backlog, listening to podcasts doesn’t really give me that extra oompf to get up the hills.
So I switched over to some music. I started off with “9 Dead Alive” by Rodrigo y Gabriela, but then it disappeared from Spotify (for me at least). I then bought the album, and loaded it onto my phone to play through another audio app on my phone
That worked for a run or two until I felt the need for something different. In the past, I’ve tended to go for movie soundtracks when I worked out, specifically instrumental soundtracks. With music from the likes of Batman, the Flash, and more, the playlist definitely has the drama to get up those hills.
Still, it didn’t quite hit the spot for me. So I looked at some of the music I’ve been listening to lately, and came up with my current “Going for a run” playlist:
This music isn’t exactly what you’d hear in a gym, or otherwise associate with some sort of workout but what I like about these songs is that they tend to have a great cadence for my current running pace.
I’ve used this playlist for about a week or so, and so far it’s helped move me along my current route at a decent pace.
This visualization uses a digital 3D model of the Moon built from global elevation maps and image mosaics by NASA’s Lunar Reconnaissance Orbiter mission. It was created to accompany a performance of Claude Debussy’s Clair de Lune by the National Symphony Orchestra Pops, led by conductor Emil de Cou, at the Kennedy Center for the Performing Arts in Washington, DC, on June 1 and 2, 2018, as part of a celebration of NASA’s 60th anniversary.
Clair de Lune (moonlight in French) was published in 1905, as the third of four movements in the composer’s Suite Bergamasque, and unlike the other parts of this work, Clair is quiet, contemplative, and slightly melancholy, evoking the feeling of a solitary walk through a moonlit garden.
The visuals were composed like a nature documentary, with clean cuts and a mostly stationary virtual camera. The viewer follows the Sun throughout a lunar day, seeing sunrises and then sunsets over prominent features on the Moon. The sprawling ray system surrounding Copernicus crater, for example, is revealed beneath receding shadows at sunrise and later slips back into darkness as night encroaches.
This video is public domain and along with other supporting visualizations can be downloaded from the Scientific Visualization Studio at: http://svs.gsfc.nasa.gov/4655
I came across music by Emancipator in one of my Spotify playlists. I started to dig into some of the albums, and I really enjoy this music for general background music, as well as for work. A great starting point is this Spotify playlist:
Here’s some more information about Douglas Appling, aka Emancipator, in his YouTube About page:
A sleeping giant of the electronic music world, Douglas Appling – more commonly known as Emancipator – has quietly established himself as a mainstay in the electronic music scene since the release of his debut album, Soon It Will Be Cold Enough in 2006. Classically-trained as a violinist from an early age, Appling’s organic approach to electronic music production draws inspiration from a wide range of international cultures and musical genres, culminating in a refreshingly authentic brand of electronic music that has infiltrated global consciousness.
I’m still working through Emancipator’s albums, though, and I’m really enjoying the music. As is the case with an artist who just seems to produce so much great music, it’s difficult to pick out favourites. “Ocelot” from “Seven Seas” is a good one though: